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Review: Billy Childs Chamber Jazz Ensemble at Ronnie Scott’s – iJHF

Live at Ronnie Scott’s London. Very unique in this line-up is the harp. Although ‘unique’ might not be the right term, because the harp takes to Child’s musical vocabulary like a duck to water. Childs’ compositional style is to be described as contemporary impressionism. Will Friedwald from Wall Street Journal rightfully stated: ‘It’s impossible to tell where the jazz ends and the classical music begins’. It is jazz and improvisation but it is also composed music, both styles in free interchange to each other.

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Review: Jazz Play – All About Jazz

The harp makes one of its rare appearances in jazz in the hands of Carol Robbins on Jazz Play. She also wrote several of the tunes on this recording and included some standards. And where does that place the music? Right in the mainstream, with some softer shades of what is known as contemporary jazz.

Jazz play cd cover abstract illustration.

Review: Jazz Play – All Music Guide – Scott Yanow

One of the best and the few jazz harp soloists, Carol Robbins on Jazz Play also proves to be a talented songwriter. Several of her originals, particularly such lyrical ballads as “Still Light,” “Darcy’s Waltz,” and “Emilia,” deserve to catch on as standards.

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Review: Jazz Play – Karl Stober

Carol Robbins and her upcoming release of Jazz Play will alter and expand your horizons in jazz. Rich in innovation powerful in arrangement certainly on the right track to future recognition in the industry.